Summer of Riesling at Brooks Melbourne

Any time that my Visa card is up for it, I am up for a meal at Brooks Melbourne. So when head sommelier, Matthew Brookes, mentioned a Summer of Riesling tasting menu, my rubbery arm needed no twisting.

Eight Rieslings for Summer of Riesling at Brooks Melbourne

First up was a pre-dinner Gutswein (literal translation = house wine). A Riesling blend bottled by the litre and commonly used by local German restaurants as their house wine. You all know that I am not a professional wine critic- my notes say, "nice and dry with gorgeous flavours. As many different bits and pieces of grapes as a wine that Kathleen Quealy (Mornington Peninsula) may have crafted. Generous and delightful fruit. Light, playful and fun as a rizza gets.

The next wine gave me a hint of tomato. It could have been a carry over from the pre- pre-dinner Gin (Westwinds Cutlass) or the tomatoes in the first dish, but I'll swear it was in the wine. A superb match with the garlic flowers and heirloom tomato consommé. A total flavour explosion.

Next up was the Frankland Estate. The least floral nose so far, more minerality and if 'austere' had a fragrance, this would be it. Served alongside almost thirty vegetables and flowers that Chef Nic Poelaert forages for himself. I tasted pink to ruby grapefruit, the familiar bitterness quite morish and hunger-inducing! Matthew says the Frankland Estate is the benchmark Riesling in Australia, up there with Grosset and others. The grapes are grown in darker soils like at Bests, which is what pushes the citrus flavours into the red spectrum. It is also what helps the wine stand up to thirty different vegetable flavours.

Drum roll please.

The next wine was a super star from Mr Brooke's own personal cellar. A 1979 Trimach 'Clos St Hume' from Alsace. AKA the world's best Riesling. To be served alongside Moreton Bay Bug with seaweed, fresh water roe and pickled oysters. Very fishy. The '79 had the most minimal nose of petrol, with balancing florals and some musk. I noted a higher acidity lending itself to amazing freshness as well as a drier taste than the deep golden colour may have suggested. So, so good with the rich seafood and salt. The kind of flavour that creates a new memory.

1979 Trimach 'Clos St Hume' from Alsace

Although, I probably wasn't going to taste an equal wine on the same night, the show did indeed, go on. Lamb sweetbreads, with cherry purée and a pea mousse was up next on the menu and to match, a Paolo Gustav Riesling from the Clare Valley in South Australia. SSH- this is an "Orange Wine'. Brooks of Melbourne is the only place in town pouring this all natural wine. A cloudy, yellow colour, it breaks all the white wine-making rules. An unfiltered wine that spent three weeks on skins. Barrel fermented. Sommelier Matthew introduced this wine as "interesting and fun, the bruised- rather than fresh- apple flavour is to match the dominant smoked maple glaze of the sweetbreads." The Paolo Gustav was a perfect match.

Kicking on, I sampled a 2011 Velere, made by a David Bicknell apprentice with fruit from Dixon's Creek in the Yarra Valley. Fruity and fun, the ideal palate cleanser. Next up was a Peregrine, (Central Otago) Late Harvest Riesling served alongside white chocolate ice cream with fresh fig and olive meringue. A 2011 Dr Loosen Wehlener Sonnenuhr Kabinet accompanied a sheep's milk blue vein cheese bringing my total Summer of Riesling indulgence to eight great wines.

Riesling can be, at times, an under-rated grape, but with talented wine makers and an experienced sommelier at the helm there is nothing left for the wine lover to do but drink- and enjoy! Let me know of some great Rieslings that you have tried lately.

images used in this post by
M. Brookes & C. Whelan

Tears of Wine or Wine Legs

Last night I finally was able to grasp the term, 'Tears of Wine'. I am not talking about getting all melancholy when you drink either. What I have always known as wine legs, other people call tears of wine. A bit like eggplant and aubergine. I was at Maha Restaurant in Melbourne to celebrate and embrace the installation of a brand spanking new Enomatic machine. This is a device which helps open bottles of wine keep fresher for longer, enabling establishments greater flexibility with their wines by the glass.

Maha Restaurant, 21 Bond St Melbourne

As I am not a professional wine reviewer or critic, (my notes for the 2005 Le Cinciole Chianti Classico say "berries and bark"), I'd rather highlight a couple of Wine Appreciation 101 points. Firstly, the flavours that any one individual can taste in wines are based on previous experience and memories. I have never tasted gooseberries, nor fresh mulberries, so I would not be able to pick those flavours out of a wine.

Berries & Bark

Along with the memory triggers, come thoughts, feelings and emotions. Sometimes, wine critics say that a wine "moves them". When this happens to me, the wine goes straight to the top of my favourites list. I now have a new favourite thanks to the fabulously innovative technology of the Enomatic machine at Maha. I was able to sample a wine that you could normally only buy by the bottle, for $420. A half-glass goes for $45, a much more affordable way to try wish-list wines. The 1909 Domaine Sainte Croix Rivesaltes. 16%.

Yes, that is the year, 1909

Here's my blurb:

Bright red, with rust-coloured edges. A bright, fresh nose of understated Christmas plus alcohol- but in a good way, not the beer-soaked pub-carpet kind of way.) Smells of sugar and spice and all things nice. I detect ginger, allspice, cinnamon, clove, sultana, raisin, currants, warmth and hugs. It has rippa legs and a lighter mouth feel than I expected. It tastes warm, fruity, spicy and yum.

{yum is THE most advanced wine tasting jargon on the planet}

A late harvest grenache, partially fortified and aged in large oak tanks for 98 years.

The next thing I tasted was boiled pineapple fruitcake which made me squeal on the inside. My most treasured recipe from my Grandfather- who was taken from this life far too soon, is for his boiled pineapple fruitcake. We used to make it together in the lead up to Christmas. As this truly fond memory came to me I held up the glass. I noticed that the wine legs were moving incredibly slowly. So slowly that the beginning of each leg formed the shape of a tear and then rolled off the Maha logo. I had to check that it wasn't me who was crying, then looked at the glass again. The tears of wine were forming and rolling steadily now. I finally understood where the term came from.

For interest's sake, Jancis Robinson, MW says the 1909 is one of the few wines that happily partners chocolate. [www.jancisrobinson.com Purple Pages] I would enjoy this with a mild to medium flavoured hard cheese or even some pressed pork belly!

Enomatic machine, top left of photo.